SYDNEY. 31 AUGUST – 14 OCTOBER 2018.
4A Centre for Contemporary Asian Art, Sydney.
Rushdi Anwar Alana Hunt Sarker Protick
Temporary Certainty is shaped by an investigation of sudden shifts of historical change wrought by complex interventions in the greater Asia region. Showcasing new works from Australian artists Rushdi Anwar and Alana Hunt alongside a new body of work from Sarker Protick, this exhibition brings together three distinct voices that share long-standing commitments to humanitarian and activist concerns. With a focus on Bengal, Kurdistan and the Kimberley region of Western Australia, Temporary Certainty explores how artists approach geography as a marker of the consequences of broader geopolitical expediencies.
The three distinct geographical contexts represented in this exhibition, each with their seemingly disparate environmental challenges and contingencies, are here connected by the way the artists have explored questions of nationalisms, the legacies of sovereignty, and contested narratives of memorialisation. Equally defined by more urgent concerns and experiences of displacement and transience, the works presented in Temporary Certainty are distinguished by their emergence within conditions of uneasy reconciliation. Additionally, a common thread between each artist’s vision across the works presented in this exhibition is the central importance of the photographic image as a medium that excels at mediating between space and time, reality and illusion. The artists utilise this visual language, alongside other mediums and methodologies, in a shared pursuit of seeking to unveil the symbolic resonances that inhabit built environments within fractured contexts.
Grappling with tensions between certainty and doubt, permanence and all that is ephemeral, Temporary Certainty contemplates the value of what can be apprehended—much less held onto—with any guarantee in an age lurching towards ever greater polarisation.
Temporary Certainty is produced by 4A Centre for Contemporary Asian Art. Rushdi Anwar’s commissioned work has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. The presentation of Sarker Protick’s Exodus has been supported by The Esplanade, Singapore, with additional support from the Australian Centre for Photography.