8 August 2017

Lovers.
Berlin, 2017.

11 July 2017

Contemporary Bangladesh, India and Pakistan were formed after decades of conflict, partition and socio-political movements that took place across the region from 1905–12 and 1947–71. The Bengal region has a recorded history of four millennia and a rich cultural and social history. Even as they are divided by national borders, the countries have much in common because of their shared pasts and inextricably connected futures.

Taking the struggles for independence as the starting point, this exhibition features the works of seminal and emerging photographers and filmmakers from Bangladesh and West Bengal in India. Their works are part of the visual developments of wider Bengal, conveying the turbulence and pain in its history, and touching on the complexity of social issues and diverse range of lived experiences within this region.

Co-curated by artists Sarker Protick and Munem Wasif (Bangladesh), Bengal Divided is an ongoing research and exhibition project first presented at the 2017 Chobi Mela International Festival of Photography, which has been specially adapted for the Esplanade Tunnel.

Artists:

Arko Datto (India), Jannatul Mawa (Bangladesh), Kushal Ray (India), Rashid Talukder (Bangladesh), Ronny Sen (India), Samsul Alam Helal (Bangladesh), Shahidul Alam (Bangladesh), Qaushiq Mukherjee aka Q (India), Tareque Masud and Catherine Masud (Bangladesh)

Public Programmes
Artist Talk by Sarker Protick and Munem Wasif (Bangladesh)
14 Jul 2017, Fri
7 – 8.30pm
Jendela (Visual Arts Space)

10 July 2017

‘Out of time’

20/07/2017 – 5 pm
Language: English
Fachhochschule Dortmund
Auditorium, Department of Design
Max-Ophüls-Platz 2
44137 Dortmund

The lecture will concentrate on the exploration of time as a basis of the medium and as a metaphysical foundation for photographic work and inspiration.

 

1 April 2017

SARKER_ORIGIN_0061

Origin – Light Chamber at Chobimela IX 2017. The documentaion video can be seen here in HD

31 March 2017

tri
© Sarker Protick

Thom Yorke and Johnny Greenwood during the performance of ‘Daydreaming’ and ‘Burn the witch’ at Primavera Sound. A moon shaped pool, world tour 2016.

14 March 2017
Kl

Photo – Souro

After a week of workshop and a feast at Chinatown, under the old sodium lights of Kolkata with my students.

 

19 February 2017

“Astres Noirs” won the Australian Photobook of the Year Award.

If we look at the tradition of Music, ‘Jamming Session’/ Alap is a very fundamental component of the practice and quit unique too as no other medium usually creates that form of synergy. ‘Jamming’ builds a connection between the minds of the performers and flows without any predefined structure or plan. The fellow artists see each others eyes, the body and the movement of the hand, picks up when the other stops and continue. Like entangled particles.

These photographs were created almost in a similar manner, unknowingly of how it may transform. Thanks to Chose Commune who listened to them carefully and willing to create a space/book to record that session.

The first edition is now sold out but a second edition will be released this April. More darker (and with 12 hidden images).

15 February 2017

S0023

“এদিকে অকালবর্ষা নামিয়াছে- ঠিক শ্রাবণের মত। ইহাতে আমার কোন আপত্তি ছিলনা, শঙ্কা হয় পাছে প্রকৃতি শ্রাবণ মাসে ফাঁকি দিয়া বসেন। দার্জিলিঙ্গেও যদি এখানকার অনুরূপ বর্ষার প্রাদুর্ভাব হইয়া থাকে তবে আপনার সৌভাগ্যে আমি ঈর্ষা করিনা। পাহাড়ের বর্ষা আমদের বাঙ্গালির কান্নার মত একঘেয়ে এবং অবিশ্রাম।” – জগদীশ কে রবির লেখা চিঠি হতে।

25 January 2017

Origin-Installation

Origin, Inside the Light Chamber. Exhibition at Chobimela IX 2017 Edition. More info about the work here – http://sarkerprotick.com/light-space/origin/

6 November 2016

‘Of River and Lost Lands’ will be shown at Dispatches – Live News Through Art: An Exhibit from The Southeastern Center for Contemporary Art in Partnership with the Pulitzer Center On Crisis Reporting.

Dispatches gathers and generates artistic responses to the news by 34 contemporary artists and photojournalists. The exhibition includes a survey of works from 2010 – present and launches a series of commissions, or “dispatches” on current events and the critical issues of our time.

The art works emerge from within and in defiance of today’s media landscape, ranging from real-time coverage to deliberately slow and analog forms. They enlarge our collective capacity to sensitively receive stories delivered in today’s unevenly regulated and fast flow of news. They decelerate the speed of information. Or, they organize collective efforts toward a more humanizing interaction.

Dispatches is divided into five thematic zones: Post-9-11 Realities; Borders and Migrations; Ecological Justice; New Forms of Social Action; and the 2016 US Presidential Election. An exhibition is a forum—one of the few public commons designed to cultivate our ethical and civic capacities to grapple with what is happening in our world. Dispatches invites you to enliven this forum and say something.

Dispatches educational outreach is realized in partnership with the Pulitzer Center on Crisis Reporting, a non-profit journalism organization dedicated to raising awareness of under-reported global issues through direct support for journalism and educational outreach.